The quest for perfection in form is enriched by an emotional return to memory. Otreblà represents not only a bold expression of Luxence’s contemporary style, but also a symbolic homecoming for architect and designer Claudio Lazzarini—a long-time creative link between Alberto Vignatelli, founder of Luxury Living Group, and the first Italian fashion brand to embrace his vision and collaborate with the Forlì-based company in the creation of luxury interiors. Otreblà is both a powerful design investigation and a timeless tribute to the Group’s patron.

RESEARCH AND SAVOIR-FAIRE
Far from compromise and conventionalism, the eclectic experience of Lazzarini Pickering Architetti translates into a consistent pursuit of elegance, purity, and absolute beauty. This approach is in perfect harmony with Luxence’s ethos of constant experimentation—embracing distinctive products and ambitious artisanal challenges, guided by constructional excellence and artisanal savoir-faire. At the heart of the Otreblà capsule, [LPA] builds an aesthetic starting from pure geometric volumes—cubes and parallelepipeds—transformed through the subtraction of spherical or ovoid shapes. A meticulous, revelatory process that unveils the object’s essence through visual perception and daring craft techniques.

MARCELLO AND MONICA
Free from transient fashion and conventional repetition, [LPA] designs stereometric sofas and chaise longues with a dual character—immanent yet versatile. The design operates on multiple levels simultaneously, in a seamless and complementary dialogue. Materiality, perception and tailoring precision merge to create unique and iconic pieces. In the three- or four-seater MARCELLO sofa, orthogonal lines are softened by bold supergraphics that dynamically reshape its sculptural silhouette. The sophisticated inlay work of the upholstery fabrics—only possible thanks to the extraordinary craftsmanship of Luxury Living—enhances this graphic vision and offers both the MARCELLO sofas and the MONICA chaise longues a luxurious skin, heightening the tension of the surfaces and the perfect triangulation between essence, expression, and function. Both designs evolve through visual interplay, with upholstery, inlays and colours ranging from bordeaux to light grey, anthracite to beige. The chaise longues are conceived to be paired or combined, embracing the dynamic composition that characterises [LPA]’s design language.

GIANO, LUISA, IDA
The elegant erosion of form continues with the GIANO collection of round and square tables. Parallelepipeds and cylinders carved by spheres suggest new perspectives, exploring compatibility and adaptability beyond traditional expectations. These tables aren’t simply extendable—they are reconfigurable. Two semicircular extensions can create an additional round table or break the orthogonal symmetry of the square design. Proportions become tools for balance, unlocking ever-new combinations to suit space and purpose. The console table is reimagined both as a standalone linear piece (IDA) and as a vertically stacked composition (LUISA), forming a modular system that’s both unconventional and sophisticated. A sober and essential apotheosis of shelving ideal for the dining room—and beyond—this interpretation reflects [LPA]’s distinctive style, enhanced by the unrivalled craftsmanship of Luxence and Luxury Living.

VALERIO AND ALFREDO
Circular cuts and the interplay of elliptical subtractions with full surfaces bring a soft, magnetic presence to VALERIO—a collection of coffee tables in various shapes and sizes. Refined lacquers echo the capsule’s formal language while ensuring visual continuity. ALFREDO, by contrast, is sculptural in nature: a square form from which circular segments have been removed, extruded and reimagined. A bold geometric structure brought to life by a transparent glass top, which reveals the tension between shapes and the interplay of contrasting colours.

Text by Luxury Living Group